Laid-back private eye Jim Rockford and his brown Pontiac Firebird become embroiled in another case when he runs across an old flame, blind book editor Megan. Her no-good playboy cousin Patrick is involved with the Russian Mob, which puts everyone's life in danger. The weary Rockford must also deal with his old friend Angel, who is painting Jim's trailer to work off a debt.

Laid-back private eye Jim Rockford and his brown Pontiac Firebird become embroiled in another case when he runs across an old flame, blind book editor Megan. Her no-good playboy cousin Patrick is involved with the Russian Mob, which puts everyone's life in danger. The weary Rockford must also deal with his old friend Angel, who is painting Jim's trailer to work off a debt.

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One day 2 locksmith found at the old warehouse the flash card. One of him activate the flash card at computer and opened the shocking world of mysterious creatures, broken lives and violence.

The Viall Files explores all things dating and love - from post-breakup healing to salacious texts--in our three weekly episodes. Mondays I take calls with listeners for our popular Ask Nick Advice segment. Bachelor fans out there, check out my breakdown of last night’s episode in the Tuesday Bachelor Recaps. Finally, Thursdays I have an in-depth conversation with a special guest. And once a month, our Ask Nick callers return to the show with updates. So tune into the Viall Files, because relationships are complicated and we have a lot to talk about.

One day 2 locksmith found at the old warehouse the flash card. One of him activate the flash card at computer and opened the shocking world of mysterious creatures, broken lives and violence.

The journey of She and Loverboy – a dealer of the sacred flower’s seeds. Led by the invisible force of the kidnapper, she is soon caught in a delusion of their strangely automatic, lonely honeymoon

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Investigator Yonezawa is searching images from the Tokyo Big City Marathon, targeted for a terrorist bomb attack. Within the images he sees his former wife Kazuko, and the following day he learns that dead body that looks like her has been discovered.